For trips within Europe (at least until Brexit – who knows what will happen after that), you should also carry a European Health Insurance Card (EHIC; what used to be known as the E111) for your child. This entitles them to state-provided healthcare across the European Economic Area and Switzerland; treatment is usually free, as it is in the UK, but in some countries you might have to pay a small upfront charge (usually refundable by your travel insurer, should you wish to claim).
A EHIC is not an alternative to travel insurance – it doesn’t get you access to private healthcare, won’t get you flown back to the UK and doesn’t cover things like mountain rescue – but it’s actually a requirement of some travel insurance policies, and is very handy to have as it means you can access healthcare fast, no questions asked. For more information on buying travel insurance for your child, take a look at my recent post on the subject.
The EHIC is free, though there are plenty of dodgy websites that will charge you for one. The official government EHIC website is a bit of a pain to use – if you’re applying for your child, you register as the main applicant, and then add her details when asked if you need any additional cards (this comes so late in the application that I gave up hope several times; it’s not very intuitive, but stick with it and you’ll get there in the end). You’ll need your NHS or NI number.
Every aspect of the theatre experience has been carefully considered in Hush-A-Bye, a gently interactive show for children aged three to five (there’s a relaxed version too, and one for babies and toddlers) from veteran company Oily Cart. In director Anna Newell’s capable hands, this ‘woodland wonderland’ is not just a place of fun but of learning and comfort too.
Sitting at a sort of bar, looking into Jens Cole’s bright treetop set, their grownups behind them, the children are each invited to build a nest for some hatching baby birds. It’s a sensory activity, and a fun one at that, but it’s also a neat way of getting the children comfortable in the space and invested in the story. The pace here, as throughout, is leisurely enough that no one is left behind, and there’s plenty of time for the cast to engage with their young patrons one-on-one.
Cole’s design really shines as writer and Oily Cart artistic director Tim Webb’s simple plot – the arrival of some unexpected weather and an even more unexpected visitor – takes off, and lighting designer Jack Knowles deserves a particular nod for the magical moment when the rain starts to fall.
Katherine Grey and Griff Fender as Grandma and Grandpa Bird are reassuringly familiar and grandparental, despite their colourful birdy getups, while participatory stage manager Deanne Jones as Hoppity is childlike enough to identify with. Kadialy Kouyate’s beautiful kora playing and singing provides atmospheric underscoring before bursting into life for several fun song and dance numbers. I didn’t want any of it to end.
Telling a story through contemporary circus is a feat attempted by many, but achieved by regrettably few. With The Ramshackle House, Upswing Theatre make it look easy, painting a picture of family life that is emotionally resonant yet sufficiently silly to hold the attention of younger audience members.
Delia Ceruti and Renato Dias begin the show performing alone – she, defying gravity on a tangle of ropes; he, clowning around on the perilously sloping roof of the eponymous abode. They soon come together, to tumble, balance and twist their way into love. It’s not long before a child arrives in their lives, a suitably excitable Matthew Smith, making their family complete.
The circus itself, devised by the company and directed by Upswing artistic director Vicki Amedume, is unshowy, made to serve the narrative thrust of the show, rather than the other way around. Keeping things contained in this way means that there’s room for the handful of moments of proper spectacle to really breathe, as when Dias and Ceruti teeter, impossibly, on a plank of wood balanced on the rung of a ladder.
An accomplished original score by James Atherton – at times plaintive, at times funky – keeps the show motoring along, while Daniella Beattie’s lighting design bathes Becky Minto’s set in a series of beautiful coloured glows, eliciting oohs and aahs at each scene change.
There’s a magic to the fact that all this takes place up on the roof, a harvest moon shining overhead. It’s like normal life – laundry, chairs, books and lampshades all make an appearance – but transported into a different dimension, one where disagreements are solved with handstands and parents can be carried by their children.
The good news is that a lot of travel insurance policies cover children for free (some up to the age of two, some right up until 16 or 18). The bad news is that even if yours does, you still need to get in touch with your insurer before you travel to ensure that your baby or toddler is included on the policy by name. You’ll need to give them your baby’s date of birth too, and tell them about any pre-existing medical conditions – epilepsy, for example – as these might affect the premium. Children insured for free are usually only covered when travelling with the policyholder, so check with your insurer if you’re planning on sending your toddler off with another family member.
If you’re buying a new policy, you’ll include your child’s details in the same way that you would your partner’s when buying a couple’s policy. Something to look out for is whether the policy covers cancellation in the case of one of the travellers falling ill before departure. Fingers crossed your toddler doesn’t come down with a horrible bug on the eve of a holiday, but if she does, and going ahead with the trip is impossible, you really don’t want to lose all the money you spent on flights, hotel, car hire, etc – the cancellation of the trip would be grim enough all by itself; you don’t want to compound it with financial stress too. It’s worth buying travel insurance as soon as you book your trip so you don’t run the risk of being caught without coverage.
Most insurers will need to see a medical certificate signed by your child’s GP stating the reason she can’t travel, before they agree to settle the claim, as well as a form from the doctor about your child’s medical history.
A lot of policies will cover you for travel within the UK (including cancellations due to illness) but there are often stipulations you need to meet – such as staying away from home for a minimum number of days, or travelling a minimum distance from home – before coverage kicks in. Check before you travel.
Tutti Frutti Productions begins its adaptation of Hans Christian Andersen’s story of a baby bird hatched into the wrong nest using puppetry, then switching into live action as the tale takes off.
It’s a good call on Tutti Frutti artistic director Wendy Harris’s part, enabling the company to set the scene for a young audience before adopting a less literal dressing-up box aesthetic that makes for a very stylish piece of children’s theatre.
Catherine Chapman’s inventive design uses sunglasses to suggest beaks, woolly jumpers as feathers, and paper flags to stand in for snow, leaving plenty of room for Mike Redley’s lighting and Tayo Akinbode’s score to help conjure up the urban park where our story takes place.
Danny Childs does an excellent line in gangly awkwardness as the Ugly Duckling, wide-eyed in his dealings with Daniel Naddafy’s Fluffy, the mean older brother who nudges him from the nest.
Also playing some of the characters that Ugly encounters in the wilds of the park gives Naddafy a chance to have fun with different accents and physicalities. Maeve Leahy, meanwhile, keeps the show grounded with her tender portrayal of the mother duck, and reveals a fine singing voice too – it’s a shame that after her sweet song there’s little live music to be heard, replaced by recorded music that jars in both its tone and volume.
Emma Reeves’s script steers clear of excessive tweeness. The message of ‘it’s what you do that matters, not what you look like’ is hardly revelatory but, buffered by a lot of genuinely funny physical comedy and a surprisingly moving piece of dance (props to movement director Holly Irving), Tutti Frutti more than gets away with it.
Air travel is a wonderful thing, but airports are a pain. I like the teeny tiny ones where you can arrive 20 minutes before your flight, but all the others make me wish I was taking a train instead. Add a baby or toddler to the mix and you’ve got the potential for a pretty wearying – not to say stressful – experience.
The key is to leave plenty of time so you’re never in rush. That might mean quite a bit of waiting around – which, let’s be honest, isn’t ideal with a baby or toddler either – but at least you stand a good chance of boarding your flight calm, contented and ready for whatever the next few hours hold (I’ll be covering flying itself, as well as airport transfers, in separate posts – sign up to my mailing list so you don’t miss them).
The one benefit of travelling with a baby or toddler is that airline check-in staff are almost always nicer to you than if you’re checking in alone. I get the sense that they’re more willing to turn a blind eye to a couple of kilos of extra weight here or there, on the understanding that babies require a lot of stuff. (Though now I think of it, the baby girl has always been remarkably cheery at check-in desks – who knows what treatment we might get if she was being a grump.)
Infant baggage allowance varies from airline to airline, but most let you check in two or three items of baby equipment free of charge, usually including a pushchair, car seat, travel cot and backpack carrier. You’ll want to check your airline’s policy before booking so you don’t get any nasty surprises before departure. Check in your pushchair and car seat at the desk or, if you’d prefer to have them with you as you go through departures, get them tagged at check in and leave them with airline staff when you reach the gate. At some airports you’ll be able to send your baby equipment through with the rest of the luggage, but at others you might be asked to drop it off in a different area.
Whatever you decide to do with your pushchair, it’s a good idea to keep a sling handy. The first time I flew with the baby girl, when she was six-weeks-old, I kept the pushchair with me until the gate and didn’t end up using it at all. Airports are very stimulating environments and the baby girl was unhappy unless she was being carried. Also, travelling alone with her, getting the pushchair down the stairs from the gate to the tarmac was a real pain – fellow passengers helped out, but it wasn’t ideal. I’ve since learnt that you can request special assistance in advance for those situations, but these days I just check everything in and avoid the problem that way.
At security they might ask to x-ray your pushchair, car seat or sling, so be prepared to carry your child through in your arms, and make sure that if you there’s anything else in the pushchair it’s easy to lift out and put through the machine too. The last few times I’ve flown with the baby girl I’ve been able to walk through the scanner with her in the sling – if only I could remember to wear the sling under my jacket so it’s easy to remove.
Formula, sterilised water for preparing formula, cow milk and soya milk for babies are exempt from the usual rules about liquids in hand luggage, so you’re allowed to take them through security, as well as gel packs to keep them cool. They need to be removed from your carry-on so they can be screened separately (incidentally, you don’t need to be travelling with your baby to carry expressed breast milk through). The rules vary slightly from country to country, but security staff have always been understanding in this regard in my experience.
My final tip relates to food. You’ll obviously need to take enough baby food or milk to cover the number of meals or feeds you’ll be in transit for, but don’t underestimate the power of snacks either. Take as many as you can fit into your carry-on, so in the event of boring delays or just general grumpiness, you’ve got distractions at the ready.
The first time I went to the Ministry of Sound – at the tender age of 16 – someone threw up on my shoes in the queue. On this most recent visit, to check out indoor family festival Rave-A-Roo, the worst that happened was a leaky nappy. I think you could call that progress.
Launched in early 2016, Rave-A-Roo is a brilliant concept: an opportunity for children to dance, play and generally run wild in an environment so stimulating that it takes them all weekend to wind down again, while their parents drink overpriced prosecco and indulge in nostalgia for their clubbing days.
The baby girl isn’t really Rave-A-Roo’s target audience, but babies are welcome, and there are enough exciting things to look at (giant disco ball, anyone?) and different places to sit to make this little adventure worth the trouble.
Clouds of bubbles waft over us as I park the pushchair in an undercover area in the venue’s courtyard, a suitably enthusiastic DJ Cuddles (I’m desperate to know if he uses this stage name for adult gigs too) playing pop tunes in front of tables covered with jewellery-making paraphernalia.
Worried about the volume levels, I bring the baby girl’s ear defenders, but they end up staying in my bag. The main room – headlined by none other than everyone’s favourite ovine film star Shaun the Sheep – would be too loud to go without ear protection for longer than a few minutes, but the baby girl isn’t interested in being in there anyway. Crawling is all she wants to do right now, and the main room isn’t the place for it, so despite the temptation of a flock of inflatable ducks, we leave it to the bigger kids.
We spend most of our time in the Funky Soft Play Room, carving out a corner for ourselves in the midst of dozens of wired toddlers. The soft play isn’t quite as soft as it should be – the only cushioning on the floor of the inflatable that holds the soft play equipment is a few rag rugs – and there’s no one in authority keeping the rowdier children from going rogue. The small pile of baby toys in the corner is welcome, but positioned in such a way that it feels like we’re in constant danger of being stepped on.
The other place we hang out is Chill-A-Roo, aka the Ministry’s VIP area, which overlooks the main bar on one side and the biggest club room on the other. No concessions to the family crowd here apart from a barista serving proper coffees, but the baby girl is happy enough sitting on a banquette and hitting her cup against the table while I drink a hot chocolate.
At £12.10 for early bird tickets (going up to an eye-watering £25 on the door) for adults and children over the age of 18 months, Rave-A-Roo isn’t cheap, but the super friendly vibe, plus nice touches like nappy change supplies in the loos, swings it for me. The baby girl will be too little to really appreciate it for a while yet, but if Rave-A-Roo is still running in two or three years’ time, you can find us in da club.
Almost every time we travel with our baby monitor we discover on returning home that we’ve left at least one part of it behind, necessitating either a trip to retrieve it or getting someone to post it back to us. The irritation we feel at our own idiocy is even more acute in those situations when the monitor hasn’t actually done its job, whether because the distances involved were too great, or the signal was blocked by thick walls or floors.
Fortunately, some friends introduced us to the Baby Monitor 3G app; not only does our regular baby monitor now stay safely at home when we travel, but we can be confident that we’ll be able to keep an eye on the baby girl in whatever situation we find ourselves in while on the move.
It’s extremely simple to use. You just buy and download the app on two devices – it’s available on Apple and Android phones, watches and tablets, plus Mac computers and Apple TV – and pair them, nominating one as the ‘baby station’ and one as the ‘parent station’. The app runs live video (or just audio, which uses less data) over wifi or 3G networks, and you can change the sensitivity of the microphone to suit the surroundings.
The app costs between £3.59 and £4.99 per device, plus any data charges if you’re using it over 3G, but that’s it – no in-app purchases or anything of that rubbish. Great for grandparents or other family members who only need a baby monitor on an ad hoc basis, and also for travel scenarios where you don’t have access to mains power, such as when camping.
When travelling by myself with the baby girl I take an old handset along so I can keep both my phone and laptop with me while still using the app. The spare handset is useful for travelling as a family too – god forbid one of us having to cope without our phone for the evening: how would we tweet about what a nice time we were having?
I’m very much a fair weather walker. Various members of my family will happily set off up a hill in driving rain, but if there’s not at least a reasonable chance of it clearing up in the foreseeable future, count me out. I like hiking, but being soaked to the skin on a cloudy mountaintop just isn’t my idea of fun. I tell you this to make it clear that hiking with a baby isn’t just the preserve of hardcore walkers. If you enjoyed the occasional hike before your baby arrived, don’t be afraid to give it a go now that she’s here; as with all things baby-related, it’s just a matter of being prepared.
Slings and backpack carriers
An all-terrain buggy will serve you well if you’re hiking with a baby in relatively flat countryside, but this post is really about the sorts of outdoor excursions that you wouldn’t attempt with a pushchair. For those, you’ll need a sling or baby carrier backpack. Which you choose depends on the age of your child, the type and duration of your walk and who’s doing the carrying. Don’t attempt a hike without some means of transporting your child, even if your toddler is a very confident walker; it’s highly unlikely she’ll be up for toddling along beside you for more than a few minutes and you’ll spend the rest of the walk carrying her in your arms.
We only started hiking with the baby girl when she was 10 months old, by which time she was big enough to fit into a backpack carrier. There are lots of different types available, but ours (which we picked up cheap in a charity shop) does up around the waist so there’s less pressure on the wearer’s shoulders, has lots of space for stowing all your other baby kit (of which more later) and a frame that means it stands up by itself, making loading and unloading the baby girl much easier.
The only trouble is that all of those useful features add weight and bulk – I’m fairly slim and only 164cm (5’ 4”) tall, and the carrier plus an increasingly heavy baby girl is too much for me. So my partner uses the backpack carrier and I use the lightweight sling, ideally with someone else carrying the rest of the baby gear (more on how brilliant slings are in this recent post). If it were just me, lugging the baby girl and all of both our stuff, I wouldn’t attempt a walk longer than an hour or so.
What to pack for hiking with a baby
Whatever set up you opt for, you want to keep additional weight to a minimum, while ensuring you’re prepared for all eventualities. Take the lightest possible changing mat, a couple of nappies and a few wipes in a ziplock bag rather than your usual nappy change wallet. Spare clothes (including a hat) are essential, especially if your child is in a backpack carrier – you’ll warm up quickly as you walk, but your baby will be sitting still, exposed to the elements.
We eschew trousers and socks in favour of pyjamas with feet to stop the baby girl getting cold legs when her trousers inevitably ride up. Waterproof trousers to go over the top are a good idea if you’re walking anywhere with the possibility of rain. It might sound like overkill but for hikes in locations where the weather can quickly take a turn for the worse, it can’t hurt to bring a lightweight storm shelter.
Parents of rolling or crawling babies should consider packing a mat or blanket; breastfeeding mothers will appreciate having somewhere dry to sit too. If you’re bottle-feeding, ready-to-drink formula is much more convenient on the move than making it up from powder. Finally, keep a ready supply of snacks in your pockets that you can produce with a flourish as a solution to sudden onset baby crankiness – you’ll all have a much nicer time.
Route planning for hiking with a baby
Don’t be too ambitious when it comes to route planning for hiking with a baby, even if you’re an experienced walker. A hike that might have taken a couple of hours baby-free can easily become the work of an entire afternoon once you’ve factored in pauses for snacks; bottle or breastfeeding; giving parental shoulders a break; and pointing and laughing at sheep. Remember, too, that there’s no shame in cutting a walk short if things aren’t working out as planned.
Organising travel documents for your baby – from passport and visa to consent letter – is the first step to taking your little one away on her first adventure.
Passport or photo ID
Children require passports for international travel (if you don’t have one for your baby yet, read my post on how to apply for her first UK passport), but for flights within the UK the adult travelling with them can vouch for their identity. The adult will need to carry photo ID, the more official the better. (Though I was intrigued to learn that the airline Flybe includes NUS cards and valid firearm certificates on its long list of acceptable forms of identification.)
Visa
When it comes to visas to almost any destination you care to name, you can safely assume that the rules are the same for children as they are for adults. This has implications not just for pre-trip admin, but for budgeting too. Fees are typically the same regardless of the age of the applicant (though they do often vary depending on the nationality of the person applying, something to watch out for if your child holds a different passport to you).
Consent letter
None of the above probably comes as much of a surprise – we’re all used to needing passports and visas to travel. What you might not be aware of is that if you’re taking a child abroad, you technically need permission from anyone else with parental responsibility to do so. Ie if you’re a mother or father travelling with your baby by yourself, you need to bring a consent letter specifying that their other parent has given the trip the go ahead.
You should include passport information for both parents, plus your child’s passport information and details about the trip. And to really do it by the book, the consent letter should be witnessed by a notary, and you should bring along proof of your relationship to the child, such as a birth certificate – the real thing, not a photocopy. Have a look online for a template form.
There are very few situations in which you would actually be asked to provide such a consent letter, but some countries are stricter than others so it’s worth checking in advance. Parents who don’t share a last name with their children also report more hassle in this regard (the law is designed to prevent child abduction), as do parents of a different ethnicity to their kids.
Sorting out the consent letter – particularly having it notarised – certainly sounds like a pain, but much less of a pain than being refused entry at the border and being sent home. A halfway measure that some parents use is carrying a copy of your child’s birth certificate, so at least you’ve got one official document on you that connects you to your child if anyone asks.