Essential kit: baby earmuffs

We owned a pair of baby earmuffs – sound-reducing ear protectors – before we owned a cot. That’s what happens when you have a baby with a musician.

In all seriousness though, buying those baby earmuffs felt like a statement of intent. We were determined that having a baby wouldn’t stop us from doing the things we love, including going to gigs, and we knew that to have the baby girl along with us at noisy events, we needed some kit.

What to look for in baby earmuffs

Baby earmuffs are essential if you'll be taking your little one to gigs or other noisy events © Steve Pretty
Baby earmuffs are essential if you’ll be taking your little one to gigs or other noisy events © Steve Pretty

The thing to look for when you’re buying baby earmuffs is the SNR value, which tells you how much sound they cut out. Most of the ones available for babies and children have an SNR value of around 26db – enough to stop their hearing from being damaged, while not totally cutting them off from what’s going on around them.

Baby earmuffs that fold up are more convenient and less likely to be accidentally damaged in your bag. The more comfortable they are, the more likely that your little one will keep them on. At least that’s the theory – the baby girl was perfectly happy to wear earmuffs when she was little, but started to object at around 12-months-old. These days we have to keep her constantly distracted while she’s wearing them or she’ll whip them off in a flash.

We started the baby girl on a pair of Ems for Bubs, which come with an adjustable elastic headband, making them suitable from birth. When she outgrew them, at 18 months old, we moved onto  be getting her a pair of Banz Bubzee earmuffs. Whichever style you go for, just make sure the ear muffs cover the ear completely and that no hair is in the way.

Multiple uses

We bought the baby girl’s earmuffs to use at gigs, but the first time she wore them was actually at a wedding of some friends of ours when she was two-weeks-old. The music wasn’t all that loud, but combined with the hubbub of conversation, it was all a bit overwhelming for her. We put on the baby earmuffs, she calmed down and we were able to relax and enjoy the party.

We took the baby girl to Glastonbury when she was 9 months old and kept her earmuffs on us at all times. She wore them at gigs, of course, but we also put them on at nap time, which was always spent on the move in the sling. That way we were free to explore the festival without having to wake her up to put on the ear defenders when we found ourselves in a noisy environment.

 

Adventure review: Rave-A-Roo, Ministry of Sound

The first time I went to the Ministry of Sound – at the tender age of 16 – someone threw up on my shoes in the queue. On this most recent visit, to check out indoor family festival Rave-A-Roo, the worst that happened was a leaky nappy. I think you could call that progress.

Launched in early 2016, Rave-A-Roo is a brilliant concept: an opportunity for children to dance, play and generally run wild in an environment so stimulating that it takes them all weekend to wind down again, while their parents drink overpriced prosecco and indulge in nostalgia for their clubbing days.

The baby girl isn’t really Rave-A-Roo’s target audience, but babies are welcome, and there are enough exciting things to look at (giant disco ball, anyone?) and different places to sit to make this little adventure worth the trouble.

Clouds of bubbles waft over us as I park the pushchair in an undercover area in the venue’s courtyard, a suitably enthusiastic DJ Cuddles (I’m desperate to know if he uses this stage name for adult gigs too) playing pop tunes in front of tables covered with jewellery-making paraphernalia.

Worried about the volume levels, I bring the baby girl’s ear defenders, but they end up staying in my bag. The main room – headlined by none other than everyone’s favourite ovine film star Shaun the Sheep – would be too loud to go without ear protection for longer than a few minutes, but the baby girl isn’t interested in being in there anyway. Crawling is all she wants to do right now, and the main room isn’t the place for it, so despite the temptation of a flock of inflatable ducks, we leave it to the bigger kids.

We spend most of our time in the Funky Soft Play Room, carving out a corner for ourselves in the midst of dozens of wired toddlers. The soft play isn’t quite as soft as it should be – the only cushioning on the floor of the inflatable that holds the soft play equipment is a few rag rugs – and there’s no one in authority keeping the rowdier children from going rogue. The small pile of baby toys in the corner is welcome, but positioned in such a way that it feels like we’re in constant danger of being stepped on.

The other place we hang out is Chill-A-Roo, aka the Ministry’s VIP area, which overlooks the main bar on one side and the biggest club room on the other. No concessions to the family crowd here apart from a barista serving proper coffees, but the baby girl is happy enough sitting on a banquette and hitting her cup against the table while I drink a hot chocolate.

At £12.10 for early bird tickets (going up to an eye-watering £25 on the door) for adults and children over the age of 18 months, Rave-A-Roo isn’t cheap, but the super friendly vibe, plus nice touches like nappy change supplies in the loos, swings it for me. The baby girl will be too little to really appreciate it for a while yet, but if Rave-A-Roo is still running in two or three years’ time, you can find us in da club.

A baby holds a ball in amongst some soft play equipment.
The baby girl larging it in the Funky Soft Play Room at Rave-A-Roo at Ministry of Sound.