Tag: culture

Baby and toddler destination guide: Edinburgh festivals

On By jocairdwp1 Comment

As an arts journalist, the Edinburgh festivals are a high point of my working year. I’ve spent pretty much very August since 2007 up there, including 2016, when I was eight and a half months pregnant and mildly terrified that I would end up having the baby girl in Edinburgh rather than London. (It worked out fine: in the end she came 10 days late, by which time I’d been home for ages.)

I had my concerns about taking the baby girl to the Fringe in 2017, but as I was still breastfeeding, I didn’t have much choice in the matter. I was definitely going, which meant that she would be coming too. My partner and I decided to spend a stupidly large proportion of our festival income renting an entire flat (including a spare room for visiting grannies/babysitters) and come up as a family.

I haven’t come across many other journalists taking small children to the Edinburgh festivals, but there are lots of performers that do it. This post is for them (and indeed anyone working at the festivals) but it’s also for non-performers; ordinary punters considering whether to brave Edinburgh with a little one in tow. My message to you is… do it!

Things to do

A baby girl sits on stage at the end of a performance for babies
Wowed by Scottish Opera’s BambinO at the Edinburgh Festival Fringe 2017

Shows for babies and toddlers at the Fringe are still very much in the minority compared to shows for older children, but it’s a genre that’s growing. They’re spread around the hundreds of different venues so the best way to find them is to search by category at tickets.edfringe.com and filter by age suitability. A lot of companies or artists making work for children hedge their bets by putting a lower age limit than is really reflective of the show, so you’ll need to read the marketing blurb and use your judgment when it comes to picking what to see.

The great news for theatre, comedy, cabaret and dance fans is that babes-in-arms (usually up to the age of 2, but it varies) are welcome at a massive number of shows at the Fringe. There’s unfortunately no way of filtering shows via their babes-in-arms policy on the Edfringe ticketing site; you have to click through to the individual show listing to find out whether infants are allowed and if they need a ticket.

Fringe venues aren’t usually accessible with pushchairs, and there’s rarely anywhere to park them, so take your little one in a sling if you can.

The Royal Mile is a great place to get a taste of the madness of the Fringe, though if you’re there with a pushchair or toddler on foot it might be best to go in the morning before the crowds descend. Catch see street performers at work, see snippets of shows at various pop-up stages and maybe even receive free tickets for later that day from performers desperate for an audience.

Two of the biggest venue companies, Underbelly and Assembly, have huge astroturfed areas in George Square Gardens that are good spots to let toddlers roam as you grab a drink or snack. They get very busy as the afternoon wears on. Underbelly’s Circus Hub on the Meadows offers something similar on a smaller scale, though there’s no shade there so it’s not ideal in the middle of the day.

Along with hosting lots of children’s shows, the Kidszone at the Pleasance Courtyard runs arts and crafts activities suitable for children up to the age of 10. There’s a little puppet theatre there too and ad hoc storytelling sessions.

There are lots of events for toddlers at the Edinburgh Book Festival, meanwhile, including readings of new books by your favourite picture book authors, craft activities and music sessions. Unlike the Fringe, the Book Festival takes place at one pop-up site, making it much easier to navigate with small children in tow. It’s also pushchair accessible.

A baby sits on the floor of the Imagine gallery at the National Museum of Scotland
The baby girl checks out the big kids’ side of the Imagine gallery at the National Museum of Scotland

Away from the festivals, you’d be crazy not to check out the National Museum of Scotland. There’s a fantastic children’s gallery where babies and toddlers can roam around, dress up, curl up for a story and play with a range of toys and musical instruments. There’s lots to do for kids elsewhere in the museum too, from laughing at taxidermy animals (a favourite activity of the baby girl’s) to playing in a sandpit. Entry is free.

Dynamic Earth, Edinburgh’s natural history museum, is also well set up for visiting with little ones, including a soft play area (it can get a bit raucous in there during the school holidays, so is better for toddlers than babies), plenty of high chairs and a microwave for heating up baby food and milk in the enormous café.

The Royal Commonwealth Pool has a shallow training pool and a brilliant soft play area that’s open until 6pm every day. It’s got a dedicated under-2s area so your little one doesn’t have to battle it out against children double her size.

Edinburgh Zoo is home to the UK’s only giant pandas, as well as all the other excellent animals you’d expect from a world-class zoo.

The Meadows, Edinburgh’s sprawling city centre park, has good playgrounds in the middle and at its far western and easternmost points. On the other side of town, the Royal Botanic Garden has free admission and runs family activities and trails. It’s also a venue for Fringe events for young children.

Please add your suggestions to add to this list in the comments below!

Childcare

You can take your little one to a lot of shows at the festivals, but not all of them, and there are some venues that don’t allow under-18s in at all. If you’re travelling as a couple or with other family members you can simply tag team babysitting and seeing shows – the nature of the festivals means that there are always lots of people seeing shows by themselves, so you won’t feel like a loner.

If that’s not an option, Edinburgh-based childcare agency Super Mums can provide festival nannies and babysitters to come to your flat or hotel, or to take your little one out and about. They can even stay the night if you need them to. It’s a good idea to book in advance but they can usually help out last-minute too.

Getting there

A baby sits amid a pile clothes and toys
Taking everything out of all the bags for fun on the train back to London from Edinburgh

You can fly to Edinburgh Airport from all over the UK and Europe and a handful of destinations in the Middle East, Asia and the Americas. It takes about 30 minutes to get to the city centre by car (there are plenty of car hire companies to choose from), taxi, Airlink bus or tram. Read my posts on booking plane tickets, flying, airport transfers and getting through airports with babies and toddlers for tips.

Edinburgh’s main railway station, Waverly, is located in the heart of the city centre. It has several taxi ranks and is served by a large number of bus routes. My post on long train journeys with babies and toddlers might come in handy when it comes to planning here.

Getting about

Parking in the centre of Edinburgh is a nightmare so far better to leave your car at home and use the city’s excellent public transport system instead. Buses have space for a couple of unfolded pushchairs, though wheelchair users take priority. You need to pay the exact fare; drivers won’t give change and don’t look kindly on being asked to do so.

Far more convenient is the m-tickets smart phone app, which lets you buy a variety of tickets in advance to validate as you board. Tickets for Edinburgh’s trams can be bought on the app or at the ticket machines at tram stops. You’ll find more general tips on public transport with a pushchair elsewhere on the blog.

Edinburgh is well supplied with reasonably priced black cabs which are large enough to fit an unfolded pushchair. As elsewhere in the UK, you don’t need a child car seat for journeys in private hire vehicles.

Edinburgh is pretty compact so walking is often the fastest way to get around. The New Town is mostly very easy to navigate with a pushchair, with wide pavements and plenty of pedestrian crossings. The Old Town is a different story: it’s very hilly, pavements are narrow and lots of the streets are cobbled. It also gets very busy in August so leave plenty of time to get wherever you’re going.

Accommodation

A huge proportion of Edinburgh festival lets are flats in tenement buildings with winding stone staircases and no lifts. There’s sometimes space to lock a pushchair in the hallway at the bottom of the stairwell in these buildings but you can’t depend on that, so unless you like the idea of lugging a pushchair up and down stairs every time you go out, make sure to rent a ground-floor flat.

For information on what other questions to ask before booking self-catering accommodation, please see my post on the subject.

Eating out

Toddler in a portable high chair at a table in a restaurant
The baby girl in her Totseat portable high chair

As many of Edinburgh’s restaurants and cafes occupy small or architecturally idiosyncratic premises, often up or down stairs from the street, it’s easier all round if you’re unencumbered by a pushchair. Some places have high chairs, but not enough to rely on, so bring your own; the Totseat is very light and packs down small enough to pop in a handbag. You’ll find general tips on eating out with babies and toddlers elsewhere on this blog.

Essentials

There are small supermarkets all over central Edinburgh and a number of large ones a short distance by bus or car. The city is also well equipped with pharmacies.

Emergencies

The phone number for emergency services is 999 and there’s an accident and emergency department at the centrally located Royal Hospital for Sick Children. The one time we had cause to use it the baby girl was seen very quickly and the staff were excellent. Adults and children aged 13 and up should use the accident and emergency departments at the Royal Infirmary in the south of the city. Treatment is free at both hospitals on the NHS.

Adventure review: Kika’s Birthday, Little Angel Theatre, London

On By jocairdwp

Published by The Stage, 8 May 2018. Kika’s Birthday is playing at the Polka Theatre, London, until 20 May 2018, then at the Edinburgh Fringe, 1-13 August 2018. The show is for children aged 3–8.

An actor holds a puppet mouse
Kika’s Birthday © Richard Davenport

Today is Sophie’s 16th birthday, so her mother is baking a cake. As Danyah Miller (who co-wrote the show with John Miller) mixes together the ingredients to bake a real-life cake before our very eyes, she’s reminded of a story she used to tell Sophie when she was little: about a family of mice celebrating a birthday of their own.

Kika’s Birthday is charming in places, and Miller is a very likeable performer, but the show lacks dramatic oomph, more story session than theatrical performance. Designer Alison Alexander’s menagerie of everyday objects transformed into animals, though often ingenious, are not used to their full potential. There’s very little attempt to bring these creatures to life in director Samantha Lane’s largely static staging – Miller’s own physicality is dynamic (credit to movement director Jennifer Jackson) but when it comes to the puppetry, she’s really just creating a series of tableaux and the story never really takes hold as a result.

Chris McDonnell’s lighting design is effective in switching between the cake-baking narrative and the story it frames, but the other signifier – a change from prose to rhyming verse and back again – feels rather twee.

We’re offered no sense of the world inhabited by the mice, either via the design, which doesn’t shift from the kitchen, or the Millers’ script, which is heavy on plot and light on atmosphere. Not enough heed has been paid to character either – it’s hard to care about protagonists that barely speak or move, even if they are cute puppet mice.

Adventure review: Michael Rosen’s Chocolate Cake, Polka Theatre, London

On By jocairdwp

Published by The Stage, 9 April 2018. Michael Rosen’s Chocolate Cake is playing at the Polka Theatre, London, until 13 May 2018. The show is for children aged 4+. (It’s worth pointing out though that I took the baby girl (aged 19 months) and another toddler buddy (aged 22 months) along with me to a performance open to younger siblings and both of them were totally absorbed throughout.) 

A man stares, amazed at a huge chocolate cake
Michael Rosen’s Chocolate Cake at the Polka Theatre, London © Ellie Kurttz

Based on a poem by the former Children’s Laureate, this diverting show from Polka Theatre artistic director Peter Glanville and singer-songwriter Barb Jungr tells the story of Michael, a little boy whose passion for chocolate cake threatens to ruin his brother’s birthday.

By blending the everyday – household routines and the journey to school – with flights of fancy – an extremely jolly Bake Off prize-giving and monsters at bath time – Glanville and Jungr create a theatrical environment that is at once familiar and fantastical to this audience of children aged four and up.

Witty writing and hummable tunes power the show along, and even though we (the adults, and probably a lot of the kids too) know exactly what’s going to happen from the word go, the denouement of Michael waking up in the middle of the night to eat an entire chocolate cake is still genuinely exciting.

Mark Houston as Michael, Todd Heppenstall as his older brother Joe and Aminita Francis as their mum are an effortlessly likeable trio, and some effective doubling swells the dramatis personae to six. Not all the music and singing is live, but there’s enough to give the piece a vibrant feel, and Jungr gives Houston, Heppenstall and Francis some lovely harmonies.

Verity Quinn’s modular set is entertaining in itself, folding and unfolding ingeniously to evoke different parts of Michael’s world, and quirky projections from Will and Joe provide a dollop of surreal humour. Lighting designer Dan Saggars really ramps up the tension when it comes to cake-eating time, making the eponymous dessert the real star of the show.

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Sightseeing with babies and toddlers

On By jocairdwp

There’s a temptation, once children come along, to abandon cultural holiday experiences like galleries, historic houses and cathedrals in favour of guaranteed child-friendly pursuits like beaches, waterparks or camping. I’m certainly not knocking that type of holiday (you can read my post on camping with babies and toddlers here, in fact) – I just want to make fellow parents aware that it’s not the only option available. When it comes to unweaned babies in particular, sightseeing with your offspring is not really very different from sightseeing child-free.

You don’t even need to be on holiday to enjoy these sorts of sightseeing excursions. Parental leave is a great opportunity to get to know your own back yard a bit better, whether that’s visiting a gallery for the first time, ticking a major tourist attraction off your list or exploring the sightseeing possibilities of a nearby city or town. There are only so many ‘rhyme time’ and baby swimming sessions you can go to in a week anyway, so why not mix it up by swapping into holiday mode and taking your offspring to see something new?

Timings: feeding, nappies and naps

A pushchair covered with a SnoozeShade on the concourse at Waterloo Station
Snoozing at Waterloo Station en route to Strawberry Hill House

Travelling at nap time (the baby girl has always been a good buggy sleeper, but I appreciate that not everyone is so lucky) increases the chance that your little one will be alert, cheery and interested in whatever you’re seeing when you get there. I try and give the baby girl lunch or a snack when we arrive (read my post on eating out with babies and toddlers), but before we start the experience proper, for the same reason. Eating and drinking isn’t allowed outside specific areas at a lot of attractions, so it makes sense to fuel up before you go in. This is less of a consideration for unweaned babies as you’ll usually be able to find somewhere to feed a small baby, whether you’re nursing or bottle-feeding.

Some attractions are excellently equipped with myriad baby change toilets, but many are not – at historic houses in particular the facilities are often in an out building far away, for example. Doing a pre-emptive nappy change on arrival means there’s one less thing to think about as you’re wandering around (though obviously a code brown situation could occur at any moment, particularly if your baby is very little).

A trip to a nearby playground or soft play place after you’ve finished your visit is an excellent way of letting your toddler blow off some steam. If I’m planning an excursion and it’s a toss up between two attractions, the proximity of a playground can be a useful deciding factor.

Whatever the age and mobility of the little one you’re sightseeing with, be less ambitious in your planning than you would be if you were child-free, and factor in lots of breaks. Lugging a baby around, even a newborn, is more tiring than sightseeing solo, and you’ll need to stop to feed her every couple of hours anyway. Going anywhere with a toddler takes forever – leave extra time for those moments when she won’t get back in the buggy, walks off mid-nappy change, loses a shoe, etc, etc, etc.

Essential kit

A toddler wearing a bag that looks like a bee at the top of the stairs at the Gothic masterpiece Strawberry Hill House
Action shot of the girl and her bee bag at Strawberry Hill House

You’re likely to have a pram with you, so will need to factor that into your travel planning (see my blog post on public transport with a pushchair for tips). That said, you should be prepared to leave your buggy at the entrance of the attraction you’re visiting, as not all of them are accessible to pushchairs. It’s worth calling ahead to check the pushchair policy, and make sure you’ve got a sling with you just in case. (On a recent visit to Ham House and Garden in West London, where you have to leave your buggy at the door, I was pleasantly surprised to learn that they have a few slings available for parents to borrow – well played National Trust, well played.)

Don’t forget to transfer any essentials (bottles, muslins, nappy change wallet) from the pram into your bag so you’ve got everything you need with you. It’s better to take a little longer to get yourself sorted at arrival than have the faff of returning to the pram for something important later on.

I wasn’t sure about toddler reins in the past, but I’ve become a fan since the baby girl started walking. She has a little bee backpack with a sort of leash attached to it, which has come in very handy on recent visits to historic houses. It’s extremely rare that I would actually use the leash to halt her progress, but it’s comforting to know that I could if I needed to, particularly if there are stairs around. The baby girl doesn’t like holding my hand most of the time when we’re out and about (I’m pleased she’s so independent of course, but this does make me just a bit teensy bit sad, I must admit), but the backpack means I can keep her close.

Where to visit

Your options are almost limitless when it comes to sightseeing with a babe-in-arms, but there’s more to think about once your little one is crawling or walking. ‘Family-friendly’ attractions, often involving either animals or the great outdoors – I’m thinking aquariums, zoos, city farms and botanical gardens – will be almost guaranteed fun for your toddler and entertaining for you too. More ‘grown-up’ attractions need to be considered on a case-by-case basis. Here are a few tips based on my sightseeing adventures with the baby girl…

Museums and galleries

There’s no hard and fast rule about which museums and galleries will make you feel welcome when visiting with a toddler, but I’d usually go for a large institution over a small one. In general, the more rooms there are to explore the more likely you are to be able to find somewhere for your child to run around/have a bit of a shout and not disturb other visitors. Smaller institutions also tend to be more tightly packed with exhibits, always a bit of a worry if your child has trouble with the notion of ‘look but don’t touch’. I’ve covered visiting museums and galleries elsewhere on the blog – you can read that post here.

Places of worship

A buggy in a Byzantine-style chapel
The baby girl snoozes in the pram at Westminster Cathedral

Churches and other places of worships are always welcoming in my experience. You wouldn’t necessarily think that a church would hold much interest for a toddler but the combination of lots of space – including high ceilings, which little ones often find pretty impressive – and unusual acoustics make them a surprisingly diverting outing.

Historic houses

Historic houses can be great but make sure you do some research ahead of time so you don’t end up at a stately home full of priceless antiques – paranoia about your toddler breaking something doesn’t make for a relaxing experience. What you’re looking for is the type of historic house that’s all about the architecture, gardens, etc, rather than a treasured furniture collection. (We had a great time at Strawberry Hill House and Garden – I pretty much let the baby girl run around at will because the rooms were mainly empty and it wasn’t busy on the day of our visit.)

Another good rule of thumb is to go for a historic house that runs events for young children. Even if there’s nothing suitable for toddlers specifically, the fact that the team there will be used to having kids around is a good indicator that you’ll be made welcome.

A fun activity to do with toddlers at historic houses (this works for galleries and museums too) is to hunt for animals in paintings, tapestries or stained-glass windows. When it comes to your own enjoyment of the place you’re visiting, forget the idea of reading any of the information boards or a guide book if you’re there with a toddler – your attention will be too divided for such demanding intellectual pursuits. That doesn’t mean you can’t have an informed experience however – I’ve found myself chatting to volunteers at historic houses much more than I ever used to, apologising in advance for the moment when I’ll inevitably have to rudely dash out of the room after the baby girl mid-conversation.

Adventure review: Dear Zoo, Churchill Theatre, Bromley

On By jocairdwp

Published by The Stage, 21 March 2017. Dear Zoo is touring the UK until 1 June 2018. The show is for children aged two to six. 

The cast of Dear Zoo on the set, two actors dressed as children, one actor dressed as a zookeeper
Molly Waters, Aaron Spendelow and Harrison Spiers on the set of Dear Zoo

If you have a child, you’ll have read Dear Zoo – many, many times probably. First published in 1982, this simple story of a child writing to the zoo for a pet and being sent all manner of inappropriate animals, has sold over eight million copies worldwide.

It’s a surprise therefore, given the bankability of such an endeavour, that this is the first time it’s ever been staged.

The set and costumes, by Ian Westbrook and Anne Hewitt respectively, are lifted straight out of the book, and while such a tactic succeeds in creating a familiar environment for young audiences, it’s disappointing that director Michael Gattrell has played it so safe.

The script, written by Dear Zoo’s original writer and illustrator Rod Campbell, is also faithful to the book, filling out its plot with lazily written songs for the animals and inane chitchat by its three human characters. There’s not a moment of drama to be had.

Aaron Spendelow, as Sam the Zoo Keeper, Harrison Spiers as Ben, the boy who wants a pet, and Sally, his friend, are engaging enough to get the children out of their seats for a few fun moments of gentle audience interaction, but all three performances are irritatingly one note.

It’s not their fault – Gattrell, who specialises in directing pantomimes, seems to be of the opinion that children must be talked to very loudly and very shrilly if they’re to understand anything that’s going on. Emma Longthorne, voicing the various animals, offers some much needed relief on this front.

Don’t get me wrong: lots of the two-to-six-year-olds in the audience enjoyed the silliness of this production. It’s just a shame that it has so little else going for it. Young audiences deserve better.

An actor dressed as a monkey, an actor dressed as a zookeeper and two actors dressed as children on the set of theatre show Dear Zoo
Emma Longthorne, Aaron Spendelow and Harrison Spiers and Molly Waters on the set of Dear Zoo

Adventure review: Family Sounds, Wigmore Hall, London

On By jocairdwp
Small children and adults gathered around a suitcase listen to a cello
The baby girl at Family Sounds at the Wigmore Hall

The Family Sounds workshop has already begun by the time the baby girl and I arrive (late) at the Wigmore Hall, and the foyer is full of enticing sounds: lilting song, drum beats emanating from a suitcase, sliding notes from a violin, a flute and a cello. Part of the extensive programme of family events at the hall, the workshop is aimed at under-5s.

The baby girl gets a name badge, we draw close to the magic suitcase and her name is pulled into the song. Workshop leader Esther Sheridan explains that we’ll be going on a journey together, collecting sounds in the suitcase to create a new piece of music. She then leads us all downstairs to the hall’s Bechstein Room, where the floor is littered with percussion instruments waiting for players.

The kids get stuck in with the shakers while the musicians improvise around a piece specially written by the Wigmore’s composer-in-residence Helen Grime. It’s wonderful to be able to listen to multi-instrumental music in the round, and Sheridan and the other workshop leaders hit the right balance in terms of atmosphere as they lead musicians and children into silence and sound and back again. The mood is informal, so everyone feels relaxed, but it’s not a free-for-all – we know where our focus is expected to be.

The next phase of the workshop, in which the group moves to different areas in the room to experiment with sounds of the forest, city and space, is less successful. The music is excellent – the musicians playing in unusual ways to create otherworldly and unexpected noises – but the interactive element feels undercooked. While the older and more independent children have a ball suggesting sounds to take with us on our journey, the little ones are sometimes left behind. As a result, the session begins to drag – two hours is a long time to ask babies and toddlers to pay attention.

That said, when the musicians and workshop leaders are engaging with the children one-on-one (shout out to Gawain Hewitt and his musical plant), and Grime’s evocative music is filling the space, this workshop is a delight. Venues like this one can feel rather forbidding; by throwing open the doors to families, the Wigmore Hall is doing important work in democratising classical music and developing the audiences of the future. It’s good to see.

How to experience the London culture scene with a baby in tow

On By jocairdwp

Published by Forbes Travel Guide, 30 January 2017. 

A man with a baby in his arms look at an art work
Crib Notes event for parents and babies at the Whitechapel Gallery

Traveling with a baby might stop you from doing some of the things you used to do on vacation — bar-hopping and fine dining, for example, are trickier with a small person underfoot. That doesn’t mean you have to miss out on all the fun, though. London is well stocked with cultural experiences specifically designed with little ones in mind. Here are our favorites.

Theater
Baby-friendly performances are a new thing on London stages, but it’s a trend that’s gathering momentum, with more and more venues offering one-off showings.

As with movie theaters, plays aren’t necessarily selected with underage audiences in mind, but changes are usually made to ensure that sound and lighting effects and actors’ delivery won’t overwhelm those all-important theatergoers of tomorrow.

Check with theaters such as Park Theatre in Finsbury Park and the Young Vic in Waterloo for specific parent-and-baby shows, and keep your eyes peeled for “relaxed” performances, which are aimed towards anyone who would benefit from a more informal environment, including kiddos.

Classical concerts
Acclaimed pianist Miaomiao Yu founded the classical concert series Bach to Baby after becoming frustrated by the lack of opportunities out there for moms and dads wanting to introduce their kids to high-quality musical performances. The concerts present professional musicians performing in welcoming, family-friendly venues across London and South East England.

An informal atmosphere means that children are free to express themselves during the concerts while, at the same time, learning from their parents (who are asked to refrain from talking) about the behavior expected from them once they’re a bit bigger. Concerts take place in locations like beautiful historic churches and art galleries, making this a lovely way to discover some of the capital’s hidden gems.

Art museums
You’d be hard pressed to find an art museum in London unwilling to admit a baby, but gallery-hopping with an infant can be a nerve-wracking experience all the same. Worrying about your child disturbing others and having concerns over the presence of diaper-changing facilities or places to breastfeed comfortably is no way to spend the day.

Fortunately, the Whitechapel Gallery has thought of everything, offering curator-led tours of its exhibitions for infants and their escorts that take place in the morning before the museum’s regular opening. At the end of the tour, gratis refreshments are available in the museum’s education space, with toys and playmats available to mini visitors needing to blow off steam.

Movies
Many London movie theaters offer weekly parent-and-baby screenings, so there’s no reason to miss out on the latest releases, whether you’re into blockbusters or art-house flicks. Screenings tend to take place in the late morning and, with so many cinemas now serving excellent coffee and snacks, a visit to the movies feels like a real daytime indulgence.

Everyman Cinemas — where you’ll find comfortable sofas as well as more traditional seats — even throws in a complimentary hot drink and cake with every ticket.

Movies on offer are programmed with parents rather than babies in mind, but the atmosphere is sure to keep the small ones comfortable. Most cinemas turn the volume down a bit and leave the light levels in the auditorium higher than usual to ensure that younger moviegoers — and therefore their parents — have the best experience possible.

Children enjoying a piano concert © Alejando Tamagno
A Bach to Baby concert © Alejando Tamagno